Nova Albion and the Future of Fandom
Mar. 27th, 2011 08:10 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
I didn't hang around after the main convention ended around 5 PM. Too tired, too hungry again. Going to try to get to sleep early.
I had someone ask me yesterday, "How can we inject the energy and spirit at this steampunk convention back into Worldcons?" He's right about the issue. I remember Worldcons, when I started attending in them in 1984, as high-energy, high-excitement events. Now they're much less so.
I gave the person as long-winded answer to his question, but I think it boils down to a single, cold-hearted answer: "Some significant Worldcon SMOFS are going to have to die." Or at least retire from the field of active convention running and participation in Worldcon organization.
Don't misunderstand me. I'm not wishing death on anyone, neither literally nor figuratively. But to a great extent our collective conrunning brains at the Worldcon level are suffering from calcification of the neurons as we continue to keep things frozen into the form that we consider ideal, and in some individual cases, effectively working toward mummification, with a stated opinion that amounts to, "I want Worldcon and fandom to die when I do, and it must not change in the slightest until then, either."
It's not that we don't need experience. We do. What we need to do is not be straightjacketed by it. We need people who have the energy and drive to make events like Nova Albion and the other steampunk events and like the anime conventions want to work on general-SF/F events rather than getting discouraged by the entrenched interests who are more concerned with making sure that the Wrong Sort of Fan doesn't actually get involved. We certainly don't need the people making the decisions passing rules that effectively preclude those who actually are willing and able to get things done from even participating. (And that's not an academic, theoretical statement, as the WSFS Mark Protection Committee did exactly that this past year, even in the face of evidence that the members of the WSFS Business Meeting wanted something different.
I had someone ask me yesterday, "How can we inject the energy and spirit at this steampunk convention back into Worldcons?" He's right about the issue. I remember Worldcons, when I started attending in them in 1984, as high-energy, high-excitement events. Now they're much less so.
I gave the person as long-winded answer to his question, but I think it boils down to a single, cold-hearted answer: "Some significant Worldcon SMOFS are going to have to die." Or at least retire from the field of active convention running and participation in Worldcon organization.
Don't misunderstand me. I'm not wishing death on anyone, neither literally nor figuratively. But to a great extent our collective conrunning brains at the Worldcon level are suffering from calcification of the neurons as we continue to keep things frozen into the form that we consider ideal, and in some individual cases, effectively working toward mummification, with a stated opinion that amounts to, "I want Worldcon and fandom to die when I do, and it must not change in the slightest until then, either."
It's not that we don't need experience. We do. What we need to do is not be straightjacketed by it. We need people who have the energy and drive to make events like Nova Albion and the other steampunk events and like the anime conventions want to work on general-SF/F events rather than getting discouraged by the entrenched interests who are more concerned with making sure that the Wrong Sort of Fan doesn't actually get involved. We certainly don't need the people making the decisions passing rules that effectively preclude those who actually are willing and able to get things done from even participating. (And that's not an academic, theoretical statement, as the WSFS Mark Protection Committee did exactly that this past year, even in the face of evidence that the members of the WSFS Business Meeting wanted something different.
Re: also
Date: 2011-03-29 10:13 am (UTC)I was peripherally involved in the layout for the art show and dealer's room at Intersection in 2005 (Big Dave did all the AutoCAD juggling required). The fire lanes in the chosen hall were absolute and documented as such on the official convention centre plans, no encroachment by tables, fixed exhibits etc. permitted. They were wide enough for a fire truck to drive down if needed.
That resulted in big open spaces which we couldn't cram down to make the place more intimate if we had wanted to but that's the breaks.
Re: also
Date: 2011-03-29 02:43 pm (UTC)Re: why bother?
Date: 2011-03-29 06:32 pm (UTC)no subject
Date: 2011-03-29 06:35 pm (UTC)no subject
Date: 2011-03-30 03:02 am (UTC)no subject
Date: 2011-03-30 08:08 am (UTC)no subject
Date: 2011-03-30 09:23 pm (UTC)If they usually go to Dragon*Con, from a far distance, the question becomes, how do I get them to change their habits? Conversely, has Dragon*Con (or SDCC, not to just pick on D*C), asked "how do I attract people away from Worldcon? Just curious here.
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Date: 2011-03-31 07:34 pm (UTC)no subject
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Date: 2011-04-01 03:37 pm (UTC)no subject
Date: 2011-04-01 04:04 pm (UTC)no subject
Date: 2011-04-01 04:22 pm (UTC)No, you really don't, that's my point. I don't have figures for FOGcon but I do know that the crowd there is the crowd from Wiscon -- and Wiscon is a more worldwide event than Worldcon is. 15% of the attendees at Wiscon are from the state of Wisconsin -- and that includes concom members. They get Aussies by the dozen, and enough foreigners overall that the Pocket Program has to explain US style tipping. Heavyweights like Samuel Delaney attend every year. They do things with their publications that I did not think were possible. They take awards seriously and the entire convention attends. If FOGcon accomplished a quarter of this, and there's reason to think they did considering how many people not from the state of California I know who attended, then the organizers got as much egoboo out of it as they would have from bidding for a Worldcon.
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Date: 2011-04-01 04:35 pm (UTC)One of the key things about Worldcon is that it comes to people who can't come to it. Look at all of the Australian fans who are highly unlikely to ever attend a Worldcon outside of Australia. Repeat this for every region that's ever hosted a Worldcon.
You can grow Worldcon and lose many of the things that make it difficult to run, but in doing so you probably make it just another permanent-site convention like DC or ComicCon. It would be just as much the "World" con as the self-named World Steampunk Convention is the "world" gathering of steampunk culture.
But that's probably just dandy for people who can afford to travel a long distance every year or who happen to live within commuting distance of the Permanent Worldcon Site.
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Date: 2011-04-01 05:10 pm (UTC)no subject
Date: 2011-04-01 05:31 pm (UTC)But let's see what happens if you deliberately aim your Worldcon at a hotel and not a convention center. Okay, your costs go down by at least a quarter of a million dollars. (That's how much the San Jose Convention Center cost to rent and to decorate in 2002.) That means you can significantly reduce your membership cost. That probably means demand will shoot up because it's more affordable. Except that because you're no longer in a building big enough to hold your convention, you either will suffer enormous overcrowding (making people very unhappy with you) or else you'll have to impose a membership cap, and that just means the actual cost of the memberships will go up anyway as people will re-sell their memberships on the secondary market.
I don't really see a good way out of this. Hotels are not infinitely expandable. Sure, we could hold conventions of up to maybe 2,000 people in hotels we have around here in the Bay Area (the Fairmont and the Doubletree immediately spring to mind, and there are others). But 5,000? The number of hotels in the USA that can host such an event without a convention center can be counted on not more than two hands. And such facilities likely would impose high fixed costs equivalent to a convention center; that was our experience negotiating with the San Francisco Marriott, which could probably hold 5K with some noticeable crowding, but wanted about a half-million in revenue guarantees — worse than renting Moscone Center!
So what should we do? Impose a 2,000-person membership cap on Worldcon the way World Fantasy has a more or less 800-person cap (with holes in it)? That would certainly push Worldcon down the road of being a "business literary conference," which someone at Aussiecon 4 told me she assumed Worldcon was, much to my surprise.
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Date: 2011-04-01 05:49 pm (UTC)Even Fourth Street Fantasy, which barely hit 200 people one year, routinely had people from both coasts, sometimes from overseas (not counting guests), and did have rather a lot of the top people in fantasy through over the years.
You can start a new "thing" which is very much not a small local relaxacon. I'm sure you can also fail to; that is, not all attempts succeed by any definition. (The Fourth Street running now is a second edition, with very different concom and a many-year gap; and it's fun too.)
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Date: 2011-04-01 06:06 pm (UTC)Worldcon in Melbourne last year attracted around 2000 people, including Aussies and Kiwis by the hundred. That's what we want out of Worldcon, not a few dozen who can afford the flight to the USA every year.
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Date: 2011-04-01 06:09 pm (UTC)I don't see it. You're probably right that the number of 100ksf+ hotels in the US is not that much more than a dozen; I came up with the Hyatt Regency Chicago, a couple of hotels in in Las Vegas, the Peabody Orlando (which is now much larger than it was in '92), three in New York, multiple sites in Atlanta, the Hershey Lodge in PA, the Moody Gardens in Galveston, the (under construction, but totally bookable) Washington Marriott Marquis in DC, the San Francisco Marriott. And you're also right that some of those facilities won't want to deal with us. But we should be talking to the big hotels in New York, and to the Washington Marriott Marquis. And to the smaller convention centers, like Buffalo and Ocean City. I'd rather see 8,000 people in a 100,000 square foot facility than 4,000 rattling around in a facility that's too big. And while it depends a lot on how efficient the space is, 12 square feet per attendee for a large 4-5 day con is a totally doable number in my experience.
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Date: 2011-04-01 06:17 pm (UTC)no subject
Date: 2011-04-01 06:22 pm (UTC)New York would be worse, by all accounts. There's a reason we haven't been back to New York since 1969. The costs are out of the stratosphere.
Even Chicon 7's memberships aren't going to be perceived as cheap, and they're not in a convention center.
I'd rather have 10,000 people in the space we've currently been taking than limiting attendance to 2,000 so we can cram them into smaller, cheaper space.
But maybe I'm all wet. Someone who is convinced that the members won't complain about crowding should try it. I expect, based on the queue-tolerance of anime cons, that maybe younger fans don't think overcrowding is a bad thing.
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Date: 2011-04-01 06:23 pm (UTC)no subject
Date: 2011-04-01 06:31 pm (UTC)As I mentioned above, I thought this too until I got a very interesting phone call from a salesman for one of the big New York hotels.
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Date: 2011-04-01 06:33 pm (UTC)no subject
Date: 2011-04-01 06:38 pm (UTC)Nine years is a long time. It was only six years from when the Sheraton told MCFI they weren't welcome to bid for the '98 Worldcon there to when MCFI won their bid (and negotiated quite favorable rates, forkage policies, and so on) for 2004.
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Date: 2011-04-01 06:46 pm (UTC)The $250K it cost to rent/decorate the San Jose Convention Center is actually a bargain, it appears. Not as much as the relative pittance that Winnipeg was charged in 1994, but still a very good deal.