kevin_standlee: Logo created for 2005 Worldcon and sometimes used for World Science Fiction Society business (WSFS Logo)
This material is adapted from a post I made at Making Light to refute the assertion that this year's Worldcon is Rolling in Dough from all of those extra Worldcon supporting memberships, presumably being made by people who think that the cost incurred by the Worldcon to service each supporting membership is Zero, and therefore the $40 revenue is "pure profit." This assumption is wrong, and I went back through the data I have to show how wrong it might be.

Supporting Memberships Aren't Free Money )

So the analysis suggests that there is roughly $70,000 in additional usable surplus (after paying the costs of servicing the additional memberships) for Sasquan from all current supporting memberships. While this is obviously welcome enough, also isn't nearly as much money as you might think it is. A modern Worldcon is going to cost on the order of $1 million, and thus this amounts to about 7% of the Worldcon's total budget in extra money. It's good, but it's not the Mountain of Cash that some people seem to think it is.

Again, it's not that Sasquan is unhappy at getting more money. (When you have a convention center that charges $1/day/chair to rent the chairs in the function rooms and similar nickle-and-dime charges, you need all the money you can bring in.) It's just that people have been assuming that there's a lot more money available to spend than there really is likely to be.
kevin_standlee: (SMOF Zone)
This morning at Westercon, I moderated the "Fannish Inquisition," where bids for future Westercons, the seated Westercon, seated Worldcons, and bids for future Worldcons made presentations and took questions. We had to squeeze a little bit for time (it's probably better to do it as two separate panels), but we got through everyone who was there. Lisa recorded everything, but we do not expect to get it uploaded until we get home due to the other things we have to do here and due to only standard (slower) internet connections being included in the room rate.

San Jose in 2018 Worldcon Officially Launches )

We spent the afternoon after the Fannish Inquisition doing our own things. I had several smoffish discussions with various people, while Lisa took Scott Sanford (who was able to come to Westercon as a last-minute helper for dealer AmyCat) to lunch. We didn't see any other programming, but I observed that the halls were very quiet between program changeover times, so a pretty high percentage of the members must have been interested in the program.
kevin_standlee: (Hugo Trophy)
[I've been listening to a lot of Yours Truly, Johnny Dollar episodes while driving to and from the Bay Area, and the episode titles are all in the form of "The ___ Matter."]

Cheryl Morgan writes more eloquently than I can about the brief tenure of Jonathan Ross as Loncon 3's Hugo Awards host.

How the 2002 Worldcon Handled Selection of Headliners )

Having had to deal with horrible PR blunders with the 2002 Worldcon makes me sympathetic and less willing to criticize other Worldcons' mistakes. (And Twitter hadn't even been invented yet!) Go read Cheryl. I share her frustration, although I'm not yet so annoyed as to walk away from everything just yet.

The Payoff

Jul. 27th, 2013 07:21 pm
kevin_standlee: Corporate seal of San Francisco Science Fiction Conventions, Inc. (SFSFC)
The SFSFC Board of Directors held its regular three-times-a-year meeting this morning in Fremont. Some of the discussions we held there reminded me of a particular milestone I personally reached recently that I forgot to mention here.

ConJose Had a Surplus. I, OTOH... )

Two weeks ago, right after Westercon 66, I made the final payment on the $50,000 401(k) loan. From my point of view, my own personal expenses associated with the 2002 Worldcon were paid off as of July 12, 2013. Whew!
kevin_standlee: (Manga Kevin)
Not every mention of Worldcon turns up in my daily Google Alert. I stumbled across this Worldcon/Japan trip report this morning. I enjoy reading trip reports like these, but I did hit a bit of a bump in the road on this:
The most senior committee members may receive some compensation since for them it is very much a full time job....
Say what? There was monetary compensation of some sort for this job? First time I've heard of it.

In complete fairness, the rest of what he says about how Worldcon is complete fan-run and so forth is quite true, and I appreciate people noticing it. I left him a comment asking what he means by "compensation." I don't deny that there are minor perks of the job. In 2002, I got a somewhat reduced-price room ($99/night), and was eventually reimbursed for room nights before or after the nights we would expect a regular Worldcon attendee to take anyway (and that meant the night before the convention wasn't reimbursed -- we assumed the night before the convention through the night after it ended, or Wednesday through Monday nights for a "traditional dates" Worldcon), and some other expenses, but I certainly was never paid a salary or stipend of any sort.
kevin_standlee: (Manga Kevin)
With the minor storm over L.A.con IV deciding that spending more than $30,000 to provide wi-fi service to their members was not a good use of the convention's resources (I agree), there has been some discussion of what a Worldcon spends its money on. There are some (IMO uniformed) people out there who have a hard time thinking that a Worldcon is spending money on anything because so much of what the convention must do is either invisible or taken for granted. So I dug through my files and did a rough breakdown of ConJose's income and expense by major category. I had to fiddle around quite a bit because the budget was arranged by division, but the expenses that get people excited are not necessarily neatly arranged. That's why there are several "other" categories and a miscellaneous into which a lot of small items from throughout the convention were rolled. If you really want to know this at a fine level of detail, e-mail me and I'll send you the line-item budget.

Another adjustment I made was to show only the net Art Show income (after paying the artists), rather than the gross. (ConJose's records showed the gross sales as income -- needed for sales-tax reporting -- and the payments to artists as a convention operating expense. I consider it misleading to show 15% of the convention's revenue that way because it's sequestered -- everything except the convention's commission goes to the artists.

Here be pie charts )

Again, anyone who wants the fine details behind these numbers should write to me directly and I will send you the latest and I think last version (revision 50) of the ConJose budget, which shows every line item on which we received or spent money.

This message is posted as public. If you want to send it on to someone else or point people at it, I don't care, and you don't need to ask my permission to do so.

Edit, 10:45: Based on a comment, added explanation that expenses were also $850,000, the same as revenue.

Edit, 11:30: Modified the pie charts so that the charts themselves and their ScrapBook Gallery descriptions include the gross amount of approximately $850,000.
kevin_standlee: (Manga Kevin)
Over on the SMOFS e-mail list, one of the many discussions happening right now is on "media" guests for Worldcons. The subject of Patrick Stewart's appearance at ConJose came up. For those of you who weren't around then, let me recap. About a week before the 2002 Worldcon, ConJose announced that Patrick Stewart would make a short appearance on Friday evening of the convention. Stewart appeared on stage for about an hour or so, showed a promotional clip from the next Star Trek movie, took a few questions, and then left, as he had plane to catch. (He stopped off in San Jose for a few hours while returning from Vancouver to LA during a shooting break on X-Men 2. If it had not been for the Worldcon, he would have just flown straight to LA.)

During the discussion on SMOFS, people said that they'd heard ConJose had paid $20,000 or more to have Stewart make this appearance. This is a rumor I'd never heard before, and I had to address it, as it's completely untrue. Actually, Paramount paid us (or would have done so if we'd actually persued it) $3,000.

If you're already on SMOFS, you read a variation of this earlier )

Anyway, not only did we not pay a huge appearance fee, but we were actually able to leverage the pledge of extra funding to improve the convention's tech to the benefit of all the members -- except those who never attend the Masquerade or Hugo Awards or who think those events are too tech-heavy as they are.

Please, if you ever hear anyone saying that ConJose paid ${LARGE_VALUE} to bring in an actor, try and correct them. Of course, some of them won't believe you. Even if you quote me directly -- and I'm happy to give anyone who wants it a copy of the Excel spreadsheet that is the ConJose budget -- some of them will say, "Oh, they just cooked the books. Everyone knows they're all on the take anyway." Those people are unreachable, and I know they exist because I've talked to them.
kevin_standlee: Kevin after losing a lot of weight. He peaked at 330, but over the following years got it down to 220 and continues to lose weight. (Default)
We actually made the decision on these awards back in September, but there was a delay in getting an acceptance confirmation. We obviously couldn't announce them, or even tell the other applicants they hadn't won, until we got confirmations from all the winners.

Press release text; many of you will have seen this elsewhere if my press-release announcements list is working )

I'm pleased we were able to present these scholarships again, and hope we do so next year as well. I know I find SMOFCon valuable, and I think it's an important thing to encourage people to learn how others run their conventions. We get better conventions when we're communicating with each other, and not just by e-mail, LJ, etc. There's still value in in-person meetings.

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